According to its inventors, SCM was not a finite object with a distinct form but was ultimately conceived of as a self-organizing, biomimetic metastructure (both tool and toy) for facilitating new types of human-environment communication a ‘medium’ that might, in Brodey’s words, ‘provide instantaneous feedback and thereby allow infolding with time, memory, energy, relation.’ These, in turn, would effect for the subject a virtuous topology of environmental discovery, new types of ecological and ‘inter-species’ relationships and, ultimately, a conscious evolution of humanity. Johnson, SCM was a suite of interdependent technologies-high and low, digital and analog-comprising a sponge-like material made from foam and/or Freon-filled plastic bladders, special types of valves, and various articulated cladding surfaces. This article explores the conception and development of Soft Control Material (SCM) (1968–1974) as a key case in the mutually inflected development of post-war design and the emergence of the concept of environment.
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